Born in 1970 and living in both Mallorca and Mülheim an der Ruhr, I have been artistically active for many years, dedicating myself with particular passion to large-format portraiture.

My path led me through studies in fine arts and art therapy in Cologne/Germany (1992-1997), initially into educational work, where I spent several years teaching and supporting gifted students.

Alongside this, my artistic expression continued to evolve—nurtured by a deep interest in human connection and the subtle nuances of individual identity.

APPROACH

Unconventional Paths to the Goal

I rediscovered my passion for drawing in 2018, when a serious illness—along with a sensitivity to solvents—forced me to set aside my brushes for several months. Pencil and charcoal became my preferred mediums, allowing me to continue creating within the limits of my health.

I was especially drawn to working in large format, as it enabled me to fully immerse myself in my art. To compensate for physical limitations—at the time I relied on a wheelchair—I began working with the aid of an electric massage table. This adaptation made it possible for me to realize my artistic vision despite physical challenges.

My work reflects the transformation of limitations into creative expression. Each piece stands as a testament to a journey in which art became not only a means of expression, but also of healing and self-empowerment.

Unable to leave the house for months, the portraits I created became my companions.

CLOSENESS

Expression

The oversized format lends the portrayed figures an iconic presence that transcends the personal. These are images of people who appear both real and removed—silent observers who convey their story through expression and gaze.

The interplay between closeness and distance, between individuality and universality, is a defining element of my work

PENCIL AND CHARCOAL

A Fascination with Detail

Even as a child, I was captivated by detail—particularly by the depiction of textures, such as animal fur.

This early passion for close observation and empathetic perception continues to shape my artistic work to this day.

My portraits are usually created in large format using pencil and charcoal. They invite the viewer to enter into a dialogue—not only with the artwork itself, but also with their own inner world and the space in which the image resonates.